A Single Dad Said, “I Need a Wife by Tomorrow” — The Billionaire’s Conditions Changed Everything – Part 23

And he was grateful to her for it. Victoria was looking out the window at the parking lot. When he glanced at her, her face was turned away, but he could see the line of her jaw and the set of her shoulders, and she had the look of someone who was doing the thing she had gotten very good at, feeling something fully and privately without letting it become a demand on the room.

He watched her for a moment. The April light came through the diner window and caught the sight of her face. He knew sitting in that booth what he was going to say to her. He’d known it since the truck, maybe before the truck, maybe since February in the barn, or since the night of Sophie’s fever, or since the first evening she’d sat across from him at his kitchen table and said, “Sophie comes first in the voice of someone who actually meant it.

” He didn’t say it here. The diner was not the place either, but it was close. It was very close. They got home in the mid afternoon. the farm gold in the slant light of an April day that had become genuinely warm, the kind of warmth that felt like a promise after the long gray months. Sophie went upstairs to change out of the green dress.

Ethan stood on the porch for a moment, looking at the orchard, the trees in early leaf now, the rose no longer the bare winter sketch they’d been when Sophie had first stood here and looked up at the stars. Victoria came out onto the porch and stood beside him. The farm spread out in front of them, familiar and changed all at once.

“You said we’d talk,” Victoria said. “After.” “Yeah,” he said. He turned to look at her. She was looking at the orchard, her arms crossed, not in the closed off way, but in the self-contained way she had when she was about to say something she’d thought through carefully. “The year ends in 3 months,” she said. “I know. What were you thinking?” she said before the diner in the truck when Sophie asked, “What were you going to say?” He looked at her for a moment.

“I was going to say that I don’t want it to end,” he said. “The arrangement, the year, whatever we’re calling it.” He paused. “But that’s not actually what I mean. I don’t mean the arrangement. I mean, I know what you mean,” she said. He looked at her. “Do you?” I’ve known for a while, she said. I’ve been waiting for you to figure it out.

She said it without superiority, just with the particular directness that was the most constant thing about her. And he said, she looked at him, really looked at him, the way she’d looked at things the very first day when he’d sat in her house and told her about Sophie, and she’d listened without filling the air.

And what was in her face was something he’d seen build over months, piece by piece, in the small moments. and the large ones and the ordinary Tuesdays and the 3 a.m. kitchen conversations and the snow and the arguments and the barn and the all of it. I told Sophie I liked it the way it is. She said you did. He said I meant that more specifically than she probably knew.

She said he was quiet for a moment. I’m not easy to live with. He said I’m stubborn and I make unilateral decisions and I don’t always communicate and I I know all of that. She said, “I’ve been living with you for 5 months. I have a complete inventory.” A pause. “Do you want me to list yours or do you already know them?” “I know them.

” “Then we don’t need to pretend either of us is better than we are.” She met his eyes. “What I know is that I trust you, and I didn’t. I hadn’t trusted anyone in a long time. That’s not a small thing.” He nodded slowly. “No,” he said. It’s not. From inside the house came the sound of Sophie on the stairs.

The particular cadence of her step that they’d both learned without meaning to. The way you learn the specific sounds of people you live with. He looked at Victoria. She looked at him. We could figure it out. He said the rest of it as we go. I know how to do that. She said I’ve been doing exactly that for 5 months.

The door opened behind them and Sophie appeared in her regular clothes, drawing pad under her arm, Humphrey tucked into the front pocket of her jacket. She looked at the two of them standing on the porch. She looked at the orchard. “Can we plant the lavender now?” she said. “It’s warm enough.” Ethan looked at Victoria. Victoria looked at Ethan.

“Yeah,” Ethan said. “Let’s Let’s do that.” Sophie went down the porch steps and across the yard toward the garden bed by the fence, already surveying the ground with the proprietary attention of someone who has claimed a piece of territory. And Ethan and Victoria followed her out into the April afternoon, into the warm air, and the smell of good earth waking up, and the sound of the orchard in its first real leaves of the season.

And the farm held all three of them in the particular way that land holds people who belong to it. The lavender went in on a Sunday. It wasn’t a ceremony. Nobody declared it one. It was just the three of them in the garden bed by the fence on an April afternoon with two flats of lavender starts from the nursery in town. The soil turned and ready, Sophie kneeling in the dirt with a trowel she’d appropriated from the tool shed and a focused intensity that she brought to anything that mattered to her.

Ethan had marked the spacing with a stick. Victoria had looked up the planting depth on her phone and read it aloud once without being asked and then put her phone away. Sophie planted each start with the same careful deliberateness. Hole dug to the right depth, roots loosened gently the way the nursery woman had shown her, soil firmed down around the base, a small press of both palms to seal it in. Eight plants.

She planted all eight herself. Ethan and Victoria held the flat and passed her the starts, and she put every one of them in the ground. When she finished, she sat back on her heels and looked at the row. Small, sparse, eight pale green mounds against dark soil. Nothing impressive yet. Everything potential. They don’t look like much right now, she said.

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Disclaimer: This story is a work of fiction created for entertainment purposes. Any resemblance to real persons, events, or places is coincidental.

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